vault backup: 2026-02-28 18:38:39
This commit is contained in:
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@@ -112,7 +112,7 @@
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"library2": {
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"library2": {
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"type": "excalidrawlib",
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"type": "excalidrawlib",
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"version": 2,
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"version": 2,
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||||||
"source": "https://github.com/zsviczian/obsidian-excalidraw-plugin/releases/tag/2.19.2",
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"source": "https://github.com/zsviczian/obsidian-excalidraw-plugin/releases/tag/2.20.2",
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"libraryItems": []
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"libraryItems": []
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},
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},
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"imageElementNotice": true,
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"imageElementNotice": true,
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@@ -37,3 +37,26 @@ All notes are located in the main directory.
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|||||||
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||||||
For steps to clone this vault
|
For steps to clone this vault
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||||||
and setup Git, see [[windows-setup]].
|
and setup Git, see [[windows-setup]].
|
||||||
|
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||||||
|
## License
|
||||||
|
|
||||||
|
As a rule, I commit all my work to the public domain.
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||||||
|
See [[UNLICENSE]] for legalese to that effect.
|
||||||
|
|
||||||
|
> [!danger]
|
||||||
|
> This repository contains significant portions of work by other authors.
|
||||||
|
> While I take pains to ensure they are all properly attributed,
|
||||||
|
> this notebook is of a scale that I can not be sure nothing has slipped through the cracks.
|
||||||
|
> Despite my sincere belief that intellectual property is a bourgeoisie myth,
|
||||||
|
> it is not my intent to violate any laws enforcing it.
|
||||||
|
>
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||||||
|
> [[UNLICENSE]] applies only to files and portions of files that are my own original work.
|
||||||
|
> It does not grant rights to reproduce, modify, or redistribute third-party content included herein.
|
||||||
|
> Users are responsible for complying with the licenses of any third-party material.
|
||||||
|
|
||||||
|
## Attribution
|
||||||
|
|
||||||
|
Please do not credit my work
|
||||||
|
unless you are obligated to by formal standards.
|
||||||
|
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||||||
|
Even then only if you can't get away with it.
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||||||
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|||||||
@@ -0,0 +1,24 @@
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|||||||
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This is free and unencumbered software released into the public domain.
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||||||
|
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||||||
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Anyone is free to copy, modify, publish,
|
||||||
|
use, compile, sell, or distribute this software,
|
||||||
|
either in source code form or as a compiled binary,
|
||||||
|
for any purpose, commercial or non-commercial, and by any means.
|
||||||
|
|
||||||
|
In jurisdictions that recognize copyright laws,
|
||||||
|
the author or authors of this software
|
||||||
|
dedicate any and all copyright interest in the software to the public domain.
|
||||||
|
We make this dedication for the benefit of the public at large
|
||||||
|
and to the detriment of our heirs and successors.
|
||||||
|
We intend this dedication to be an overt act of relinquishment
|
||||||
|
in perpetuity of all present and future rights to this software under copyright law.
|
||||||
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||||||
|
THE SOFTWARE IS PROVIDED "AS IS",
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||||||
|
WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED,
|
||||||
|
INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY,
|
||||||
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FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT.
|
||||||
|
IN NO EVENT SHALL THE AUTHORS BE LIABLE
|
||||||
|
FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY,
|
||||||
|
WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE,
|
||||||
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ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE
|
||||||
|
OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.
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||||||
@@ -0,0 +1,23 @@
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|||||||
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---
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||||||
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id:
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||||||
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aliases: []
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||||||
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title: C#
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||||||
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tags:
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||||||
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- authorship/original
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||||||
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- destiny/permanent
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||||||
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- status/incomplete
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||||||
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- type/encyclopedia-entry
|
||||||
|
---
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||||||
|
# C\#
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||||||
|
C\# (read "C sharp", like the [[music-theory|musical]] symbol)
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It is the sane man's Java.
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I have an unhealthy relationship with C\#.
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I'm bad at it, I can never make it do what I want,
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but I always blame myself for its shortcomings.
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||||||
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C\#/.NET naming conventions are excellent.
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Methods and variables are almost never abbreviated,
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and `PascalCase` is God's gift to the world.
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||||||
@@ -6,7 +6,7 @@ tags:
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|||||||
- authorship/original
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- authorship/original
|
||||||
- destiny/permanent
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- destiny/permanent
|
||||||
- status/incomplete
|
- status/incomplete
|
||||||
- topic/organization
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- topic/ergonomics/organizational
|
||||||
- type/encyclopedia-entry
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- type/encyclopedia-entry
|
||||||
---
|
---
|
||||||
# Earned Value Management
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# Earned Value Management
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||||||
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|||||||
@@ -0,0 +1,65 @@
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|||||||
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---
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||||||
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id:
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||||||
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aliases: []
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||||||
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title: Ergonomics
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||||||
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tags:
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||||||
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- topic/ergonomics
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||||||
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- authorship/original
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||||||
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- destiny/permanent/entry-point
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||||||
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- status/incomplete
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||||||
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- type/supertopic
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||||||
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---
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||||||
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# Ergonomics
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> [!info]
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> The words "ergonomic" and "ergonomics"
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> represent a considerable portion of my vocabulary.
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||||||
|
> If I have a special interest, it's ergonomics.
|
||||||
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|
[^1]: [What is Ergonomics? - The International Ergonomics Association](https://iea.cc/about/what-is-ergonomics/)
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|
|
||||||
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## Physical Ergonomics
|
||||||
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||||||
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> [!quote]
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> _Physical ergonomics_ is concerned with human anatomical,
|
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> anthropometric, physiological and biomechanical characteristics
|
||||||
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> as they relate to physical activity.
|
||||||
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> (Relevant topics include working postures, materials handling,
|
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> repetitive movements, work-related musculoskeletal disorders,
|
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> workplace layout, physical safety and health.)[^1]
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||||||
|
%%
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||||||
|
Worker to Self
|
||||||
|
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||||||
|
This one is not a big deal to me,
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beyond
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|
%%
|
||||||
|
|
||||||
|
## Cognitive Ergonomics
|
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|
||||||
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> [!quote]
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> _Cognitive ergonomics_ is concerned with mental processes,
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> such as perception, memory, reasoning, and motor response,
|
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> as they affect interactions among humans and other elements of a system.
|
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> (Relevant topics include mental workload, decision making,
|
||||||
|
> skilled performance, human-computer interaction,
|
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> human reliability, work stress, and training
|
||||||
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> as these may relate to human-system design.)[^1]
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||||||
|
%%
|
||||||
|
Worker to System
|
||||||
|
%%
|
||||||
|
|
||||||
|
## Organizational Ergonomics
|
||||||
|
|
||||||
|
> [!quote]
|
||||||
|
> _Organizational ergonomics_ is concerned with the optimization of sociotechnical systems,
|
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> including their organizational structures, policies, and processes.
|
||||||
|
> (Relevant topics include communication, crew resource management,
|
||||||
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> work design, design of working times, teamwork, participatory design,
|
||||||
|
> community ergonomics, cooperative work, new work paradigms,
|
||||||
|
> virtual organizations, telework, and quality management.)[^1]
|
||||||
|
|
||||||
|
%%
|
||||||
|
Worker to Worker
|
||||||
|
%%
|
||||||
@@ -5,7 +5,7 @@ tags:
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|||||||
- destiny/fleeting
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- destiny/fleeting
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||||||
- status/draft
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- status/draft
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||||||
- topic/estimating
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- topic/estimating
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||||||
- topic/organization
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- topic/ergonomics/organizational
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||||||
- type/philosophy
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- type/philosophy
|
||||||
- authorship/original
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- authorship/original
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||||||
title: Estimating Culture
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title: Estimating Culture
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||||||
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|||||||
@@ -5,7 +5,7 @@ tags:
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|||||||
- destiny/uncertain
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- destiny/uncertain
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||||||
- status/incomplete
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- status/incomplete
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||||||
- topic/estimating
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- topic/estimating
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||||||
- topic/organization
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- topic/ergonomics/organizational
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- topic/software
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- topic/software
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- type/idea
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- type/idea
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- authorship/original
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- authorship/original
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@@ -7,7 +7,7 @@ tags:
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- destiny/permanent
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- destiny/permanent
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||||||
- status/incomplete
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- status/incomplete
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||||||
- topic/individualism
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- topic/individualism
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||||||
- topic/organization
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- topic/ergonomics/organizational
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- type/philosophy
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- type/philosophy
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dg-publish: true
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dg-publish: true
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||||||
---
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---
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||||||
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|||||||
@@ -6,7 +6,7 @@ tags:
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|||||||
- authorship/other-for-now
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- authorship/other-for-now
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||||||
- destiny/permanent
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- destiny/permanent
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- status/not-started
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- status/not-started
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||||||
- topic/organization
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- topic/ergonomics/organizational
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||||||
- type/encyclopedia-entry
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- type/encyclopedia-entry
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dg-publish: true
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dg-publish: true
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||||||
---
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---
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||||||
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|||||||
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After Width: | Height: | Size: 649 KiB |
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- destiny/permanent
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- destiny/permanent
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- status/incomplete
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- topic/ergonomics/organizational
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- type/philosophy
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- type/philosophy
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dg-publish: true
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dg-publish: true
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||||||
---
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---
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|||||||
+1
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- authorship/original
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- authorship/original
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||||||
- destiny/permanent
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- destiny/permanent
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||||||
- status/incomplete
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- status/incomplete
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||||||
- topic/organization
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- topic/ergonomics/organizational
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||||||
- topic/individualism
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- topic/individualism
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||||||
- type/philosophy
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- type/philosophy
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dg-publish: true
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dg-publish: true
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||||||
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@@ -8,7 +8,7 @@ tags:
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|||||||
- status/incomplete
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- status/incomplete
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||||||
- topic/construction
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- topic/construction
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||||||
- topic/estimating
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- topic/estimating
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||||||
- topic/organization
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- topic/ergonomics/organizational
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- type/cross-topic
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- type/cross-topic
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dg-publish: true
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dg-publish: true
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||||||
---
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---
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||||||
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@@ -6,7 +6,7 @@ tags:
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- authorship/original
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- authorship/original
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||||||
- destiny/permanent
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- destiny/permanent
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||||||
- status/draft
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- status/draft
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||||||
- topic/organization
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- topic/ergonomics/organizational
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- type/philosophy
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- type/philosophy
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dg-publish: true
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dg-publish: true
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||||||
---
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---
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||||||
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@@ -6,7 +6,7 @@ tags:
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- authorship/original
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- authorship/original
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||||||
- destiny/permanent
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- destiny/permanent
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||||||
- status/incomplete
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- status/incomplete
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- topic/ergonomics/organizational
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dg-publish: true
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dg-publish: true
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||||||
---
|
---
|
||||||
# Project Management
|
# Project Management
|
||||||
|
|||||||
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|
|||||||
|
---
|
||||||
|
id:
|
||||||
|
aliases: []
|
||||||
|
title: Python
|
||||||
|
tags:
|
||||||
|
- authorship/original
|
||||||
|
- destiny/permanent
|
||||||
|
- status/incomplete
|
||||||
|
- type/encyclopedia-entry
|
||||||
|
---
|
||||||
|
# Python
|
||||||
|
|
||||||
|
I have a love-hate relationship with Python
|
||||||
|
truly my first love was [[csharp|C#]], who can do no wrong.
|
||||||
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|
|||||||
- authorship/original
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- authorship/original
|
||||||
- destiny/permanent
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- destiny/permanent
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||||||
- status/incomplete
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- status/incomplete
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||||||
- topic/organization
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- topic/ergonomics/organizational
|
||||||
- type/guide
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- type/guide
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||||||
title: Resolving Process Uncertainty
|
title: Resolving Process Uncertainty
|
||||||
dg-publish: true
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dg-publish: true
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||||||
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+1
-3
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- authorship/original
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- authorship/original
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- destiny/permanent
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- destiny/permanent
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||||||
- status/incomplete
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- status/incomplete
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- topic/organization
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- topic/ergonomics/organizational
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||||||
- type/encyclopedia
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- type/encyclopedia
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title: Supertopics
|
title: Supertopics
|
||||||
dg-publish: true
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dg-publish: true
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||||||
@@ -19,8 +19,6 @@ They are a group of topics that,
|
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while they may seem disparate in a vacuum,
|
while they may seem disparate in a vacuum,
|
||||||
are all fundamental to a greater understanding of the whole.
|
are all fundamental to a greater understanding of the whole.
|
||||||
|
|
||||||
|
|
||||||
|
|
||||||
%%
|
%%
|
||||||
|
|
||||||
## TALK
|
## TALK
|
||||||
|
|||||||
@@ -107,7 +107,7 @@ but that aren't widely understood to be.
|
|||||||
|
|
||||||
Relating to mathematical and abstract concepts of [[risk]].
|
Relating to mathematical and abstract concepts of [[risk]].
|
||||||
|
|
||||||
### #topic/organization
|
### #topic/ergonomics/organizational
|
||||||
|
|
||||||
On the subject of [[optimal-patterns]] for processes
|
On the subject of [[optimal-patterns]] for processes
|
||||||
of varying importance.
|
of varying importance.
|
||||||
|
|||||||
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|
|||||||
|
---
|
||||||
|
id:
|
||||||
|
aliases: []
|
||||||
|
title: Ulysses
|
||||||
|
tags:
|
||||||
|
- authorship/other
|
||||||
|
- destiny/permanent
|
||||||
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- exclude-from-word-count
|
||||||
|
- status/complete
|
||||||
|
- type/media/poetry
|
||||||
|
author:
|
||||||
|
- Alfred Lord Tennyson
|
||||||
|
---
|
||||||
|
# Ulysses
|
||||||
|
|
||||||
|
It little profits that an idle king, \
|
||||||
|
By this still hearth, among these barren crags, \
|
||||||
|
Match'd with an aged wife, I mete and dole \
|
||||||
|
Unequal laws unto a savage race, \
|
||||||
|
That hoard, and sleep, and feed, and know not me. \
|
||||||
|
I cannot rest from travel; I will drink \
|
||||||
|
Life to the lees. All times I have enjoy'd \
|
||||||
|
Greatly, have suffer'd greatly, both with those \
|
||||||
|
That loved me, and alone; on shore, and when \
|
||||||
|
Thro' scudding drifts the rainy Hyades \
|
||||||
|
Vext the dim sea. I am become a name; \
|
||||||
|
For always roaming with a hungry heart \
|
||||||
|
Much have I seen and known,--- cities of men \
|
||||||
|
And manners, climates, councils, governments, \
|
||||||
|
Myself not least, but honor'd of them all,--- \
|
||||||
|
And drunk delight of battle with my peers, \
|
||||||
|
Far on the ringing plains of windy Troy. \
|
||||||
|
I am a part of all that I have met; \
|
||||||
|
Yet all experience is an arch wherethro' \
|
||||||
|
Gleams that untravell'd world whose margin fades \
|
||||||
|
For ever and for ever when I move. \
|
||||||
|
How dull it is to pause, to make an end, \
|
||||||
|
To rust unburnish'd, not to shine in use! \
|
||||||
|
As tho' to breathe were life! Life piled on life \
|
||||||
|
Were all too little, and of one to me \
|
||||||
|
Little remains; but every hour is saved
|
||||||
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- destiny/permanent
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- destiny/permanent
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- status/draft
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- status/draft
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- type/timestamped
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- type/timestamped
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- topic/organization
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- topic/ergonomics/organizational
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||||||
dg-publish: true
|
dg-publish: true
|
||||||
daily: "[[2026-02-04]]"
|
daily: "[[2026-02-04]]"
|
||||||
---
|
---
|
||||||
|
|||||||
@@ -0,0 +1,44 @@
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|||||||
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---
|
||||||
|
id: 2026-02-27T17:11:14-05:00
|
||||||
|
aliases: []
|
||||||
|
title: "2026-02-27 17:11:14"
|
||||||
|
tags:
|
||||||
|
- authorship/original
|
||||||
|
- destiny/permanent
|
||||||
|
- status/complete
|
||||||
|
- type/timestamped
|
||||||
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dg-publish: true
|
||||||
|
date-created: 2026-02-27T17:11:14-05:00
|
||||||
|
daily: "[[2026-02-27]]"
|
||||||
|
weekly: "[[2026-W09]]"
|
||||||
|
monthly: "[[2026-02]]"
|
||||||
|
quarterly: "[[2026-Q1]]"
|
||||||
|
yearly: "[[2026]]"
|
||||||
|
---
|
||||||
|
# 2026-02-27 17:11:14
|
||||||
|
|
||||||
|
I confidently identified a cormorant
|
||||||
|
from a peripheral glance while I was driving.
|
||||||
|
I wondered how I was able to distinguish it from the very similar anhinga
|
||||||
|
(also a black diving bird with a yellow beak and of the same size)
|
||||||
|
despite the distance and poor focus of the sighting,
|
||||||
|
and I believe it was the silhouette.
|
||||||
|
|
||||||
|
While on the water's surface,
|
||||||
|
Cormorants swim like geese or swans, with a S-shaped neck,
|
||||||
|
where anhingas stretch their necks out forward
|
||||||
|
with an upward angle to their beaks.
|
||||||
|
It's because of this difference in posture
|
||||||
|
that I associate cormorants with pride and dignity,
|
||||||
|
where anhingas seem more to me
|
||||||
|
like they're barely hanging on to their niche.
|
||||||
|
|
||||||
|
I'm reminded of a conversation I had recently with a peer.
|
||||||
|
They stated (as I interpreted it)
|
||||||
|
that despite how popular it is to pretend otherwise,
|
||||||
|
animals do not experience emotion
|
||||||
|
in any way meaningfully similar to our own perception.
|
||||||
|
To which I agree.
|
||||||
|
Certainly cormorants do not feel pride,
|
||||||
|
nor do anhingas feel the insecurity I project onto them.
|
||||||
|
but sometimes lies are more useful than truth.
|
||||||
@@ -0,0 +1,55 @@
|
|||||||
|
---
|
||||||
|
id: 2026-02-27T17:48:43-05:00
|
||||||
|
aliases: []
|
||||||
|
title: "2026-02-27 17:48:43"
|
||||||
|
tags:
|
||||||
|
- authorship/original
|
||||||
|
- destiny/permanent
|
||||||
|
- status/draft
|
||||||
|
- type/timestamped
|
||||||
|
dg-publish: true
|
||||||
|
date-created: 2026-02-27T17:48:43-05:00
|
||||||
|
daily: "[[2026-02-27]]"
|
||||||
|
weekly: "[[2026-W09]]"
|
||||||
|
monthly: "[[2026-02]]"
|
||||||
|
quarterly: "[[2026-Q1]]"
|
||||||
|
yearly: "[[2026]]"
|
||||||
|
---
|
||||||
|
# 2026-02-27 17:48:43
|
||||||
|
|
||||||
|
I've meant to ask my peers who read these notes
|
||||||
|
how they feel about my using "my peer"
|
||||||
|
rather than their names,
|
||||||
|
even when my paraphrasing is so specific
|
||||||
|
as to leaves no doubt of authorship.
|
||||||
|
|
||||||
|
I'd figured I'd respect their wishes on the matter,
|
||||||
|
but thinking about what my reasoning must have been
|
||||||
|
(before it became consistency)
|
||||||
|
I'll probably keep doing it anyway,
|
||||||
|
however I feel I owe them an explanation.
|
||||||
|
|
||||||
|
These peers sound like you, but they are not.
|
||||||
|
They are characters of my imagining,
|
||||||
|
their actions and beliefs
|
||||||
|
subject to the whims of the narrative.
|
||||||
|
You'll find that they tend to reinforce my own beliefs
|
||||||
|
more often than you would.
|
||||||
|
Ambiguous attribution is how I hint that an interaction is embellished
|
||||||
|
without harshing the whimsy.
|
||||||
|
|
||||||
|
And another thing:
|
||||||
|
|
||||||
|
The people that I do this for I think aloud with,
|
||||||
|
speaking with the understanding that I will say things
|
||||||
|
that are ill advised or poorly reasoned.
|
||||||
|
I've said before I'd rather not be credited for my ideas,
|
||||||
|
not least because ideas are free and I am nothing if not frugal.
|
||||||
|
If y'all properly cited me
|
||||||
|
on some of the dumb shit I say in implied confidence,
|
||||||
|
I'd cry.
|
||||||
|
|
||||||
|
In conclusion:
|
||||||
|
You could call it plagiarism, but I'd disagree.
|
||||||
|
_Intellectual dishonesty_ I'll grant,
|
||||||
|
so long as you agree it's tasteful, or at least fun.
|
||||||
@@ -0,0 +1,91 @@
|
|||||||
|
---
|
||||||
|
id: 2026-02-27T19:00:57-05:00
|
||||||
|
aliases: []
|
||||||
|
title: "2026-02-27 19:00:57"
|
||||||
|
tags:
|
||||||
|
- authorship/original
|
||||||
|
- destiny/permanent
|
||||||
|
- status/draft
|
||||||
|
- type/timestamped
|
||||||
|
dg-publish: true
|
||||||
|
date-created: 2026-02-27T19:00:57-05:00
|
||||||
|
daily: "[[2026-02-27]]"
|
||||||
|
weekly: "[[2026-W09]]"
|
||||||
|
monthly: "[[2026-02]]"
|
||||||
|
quarterly: "[[2026-Q1]]"
|
||||||
|
yearly: "[[2026]]"
|
||||||
|
---
|
||||||
|
# 2026-02-27 19:00:57
|
||||||
|
|
||||||
|
## Attribution
|
||||||
|
|
||||||
|
> [!info]
|
||||||
|
> This is a more objective explanation of my opinion on attribution
|
||||||
|
> see the previous note [[2026-02-27_17-48-43]]
|
||||||
|
> for a less formal discussion.
|
||||||
|
|
||||||
|
>[!quote] [[README#Attribution]]
|
||||||
|
> ## Attribution
|
||||||
|
>
|
||||||
|
> Please do not credit my work
|
||||||
|
> unless you are obligated to by formal standards.
|
||||||
|
|
||||||
|
I'll concede that I hold this preference
|
||||||
|
in large part _because_ it's unpopular,
|
||||||
|
but let it not be said that I don't have reasons.
|
||||||
|
|
||||||
|
The academic value of written work is,
|
||||||
|
with very few exceptions,[^1]
|
||||||
|
independent of its author.
|
||||||
|
|
||||||
|
[^1]: Testimony of firsthand witnesses to events,
|
||||||
|
though biases and the deterioration of memory
|
||||||
|
make it not so much better than baseless speculation
|
||||||
|
when compared to video evidence.
|
||||||
|
|
||||||
|
This point is not controversial,
|
||||||
|
it is understood that Warren Buffet's analysis of the stock market can be flawed
|
||||||
|
even though he is a very successful trader.
|
||||||
|
|
||||||
|
If despite this you
|
||||||
|
I am lead to two conclusions:
|
||||||
|
|
||||||
|
1. you believe the author's person is relevant (you are foolish)
|
||||||
|
2. you believe _I_ believe the author's person is relevant (you believe I am foolish)
|
||||||
|
|
||||||
|
But I rarely believe either of these in earnest
|
||||||
|
because the fallibility of experts is almost universally understood.
|
||||||
|
|
||||||
|
I'm not educated, but I've known many subject matter experts;
|
||||||
|
electricians that have been so
|
||||||
|
for over half as long as the profession has existed in earnest.
|
||||||
|
I have known them to be as fallible
|
||||||
|
but I know you've been in my shoes
|
||||||
|
and experienced the same in your own profession,
|
||||||
|
so we can share this secret and recognize
|
||||||
|
that no expert's word can be trusted
|
||||||
|
on the merit of their "experience".
|
||||||
|
|
||||||
|
> [!quote] John Dewey, _Experience and Education_ (1938)
|
||||||
|
> Experience is inevitable, learning is not.[^2]
|
||||||
|
|
||||||
|
Damn it.
|
||||||
|
|
||||||
|
[^2]: Dewey never says this in _Experience and Education_,
|
||||||
|
or really anything so quotable.
|
||||||
|
It's a popular paraphrasing of ideas expressed throughout the book,
|
||||||
|
however from a cursory reading it doesn't seem to be one
|
||||||
|
Dewey would agree was especially relevant.
|
||||||
|
|
||||||
|
|
||||||
|
This being the case, I'm lead to a secret third option:
|
||||||
|
|
||||||
|
3. You believe the idea is relevant,
|
||||||
|
but want to deny responsibility for its application.
|
||||||
|
|
||||||
|
Lorem ipsum set amet...
|
||||||
|
|
||||||
|
I consider it a glowing endorsement
|
||||||
|
when my ideas are thought good enough by others to claim as their own,
|
||||||
|
and I'm tempted to say that those frustrated by the same
|
||||||
|
need an ego adjustment.
|
||||||
@@ -0,0 +1,122 @@
|
|||||||
|
---
|
||||||
|
id: 2026-02-28T07:59:45-05:00
|
||||||
|
aliases: []
|
||||||
|
title: "2026-02-28 07:59:45"
|
||||||
|
tags:
|
||||||
|
- authorship/original
|
||||||
|
- destiny/permanent
|
||||||
|
- status/draft
|
||||||
|
- type/timestamped
|
||||||
|
dg-publish: true
|
||||||
|
date-created: 2026-02-28T07:59:45-05:00
|
||||||
|
daily: "[[2026-02-28]]"
|
||||||
|
weekly: "[[2026-W09]]"
|
||||||
|
monthly: "[[2026-02]]"
|
||||||
|
quarterly: "[[2026-Q1]]"
|
||||||
|
yearly: "[[2026]]"
|
||||||
|
---
|
||||||
|
# 2026-02-28 07:59:45
|
||||||
|
|
||||||
|
### Legitimate Genres
|
||||||
|
|
||||||
|
#### Pop
|
||||||
|
|
||||||
|
Pop music is defined by inoffensive themes and melodies.
|
||||||
|
"Pop" alone is not a complete genre.
|
||||||
|
|
||||||
|
##### Avant-Pop
|
||||||
|
|
||||||
|
##### Hypnagogic Pop
|
||||||
|
|
||||||
|
* Jack Stauber
|
||||||
|
|
||||||
|
##### Chamber Pop
|
||||||
|
|
||||||
|
* The High Llamas
|
||||||
|
|
||||||
|
##### Dream Pop
|
||||||
|
|
||||||
|
* The Marías
|
||||||
|
* Hibou
|
||||||
|
|
||||||
|
##### Indie Pop
|
||||||
|
|
||||||
|
* Sub Urban
|
||||||
|
|
||||||
|
##### Bedroom Pop
|
||||||
|
|
||||||
|
* ivri
|
||||||
|
|
||||||
|
##### Synth-Pop
|
||||||
|
|
||||||
|
* Crystal Castles
|
||||||
|
|
||||||
|
#### Rap
|
||||||
|
|
||||||
|
##### Cloud Rap
|
||||||
|
|
||||||
|
* Een Glish
|
||||||
|
|
||||||
|
##### Emo Rap
|
||||||
|
|
||||||
|
* Grim Salvo
|
||||||
|
|
||||||
|
##### Scream Rap
|
||||||
|
|
||||||
|
* femtanyl
|
||||||
|
|
||||||
|
#### Rock
|
||||||
|
|
||||||
|
##### Alternative Rock
|
||||||
|
|
||||||
|
* Nirvana
|
||||||
|
* Softcult
|
||||||
|
|
||||||
|
##### Indie Rock
|
||||||
|
|
||||||
|
* Hockey Dad
|
||||||
|
|
||||||
|
##### Pop Rock
|
||||||
|
|
||||||
|
##### Soft Rock
|
||||||
|
|
||||||
|
#### Heavy Metal
|
||||||
|
|
||||||
|
##### Trap Metal
|
||||||
|
|
||||||
|
Grim Salvo
|
||||||
|
|
||||||
|
#### Punk
|
||||||
|
|
||||||
|
##### Post-Punk
|
||||||
|
|
||||||
|
* Alone in My Room
|
||||||
|
* Jfarrari
|
||||||
|
* Молчат Дома (Molchat Doma)
|
||||||
|
|
||||||
|
#### Folk
|
||||||
|
|
||||||
|
##### Indie Folk
|
||||||
|
|
||||||
|
* Annabelle Dinda
|
||||||
|
* Emerson Woolf & the Wishbones
|
||||||
|
* The Crane Wives
|
||||||
|
|
||||||
|
#### Jazz
|
||||||
|
|
||||||
|
##### Acid Jazz
|
||||||
|
|
||||||
|
#### Blues
|
||||||
|
|
||||||
|
##### Country Blues
|
||||||
|
|
||||||
|
* Bonnie Raitt
|
||||||
|
|
||||||
|
### False Genres
|
||||||
|
|
||||||
|
#### Grunge
|
||||||
|
|
||||||
|
Grunge is typical of time, place, and aesthetic
|
||||||
|
(1990's Seattle dirty punk), not musical elements.
|
||||||
|
Nirvana is Alternative Rock,
|
||||||
|
Alice in Chains is Heavy Metal.
|
||||||
@@ -0,0 +1,68 @@
|
|||||||
|
---
|
||||||
|
id: 2026-02-28T12:02:03-05:00
|
||||||
|
aliases: []
|
||||||
|
title: "2026-02-28 12:02:03"
|
||||||
|
tags:
|
||||||
|
- authorship/original
|
||||||
|
- destiny/permanent
|
||||||
|
- status/draft
|
||||||
|
- type/timestamped
|
||||||
|
dg-publish: true
|
||||||
|
date-created: 2026-02-28T12:02:03-05:00
|
||||||
|
daily: "[[2026-02-28]]"
|
||||||
|
weekly: "[[2026-W09]]"
|
||||||
|
monthly: "[[2026-02]]"
|
||||||
|
quarterly: "[[2026-Q1]]"
|
||||||
|
yearly: "[[2026]]"
|
||||||
|
---
|
||||||
|
# 2026-02-28 12:02:03
|
||||||
|
|
||||||
|
It is difficult to express how _little_ Accubid does for the user.
|
||||||
|
Except for LiveCount and SupplierLink
|
||||||
|
(which are separate programs anyhow)
|
||||||
|
100% of its functionality could be replicated with database queries.
|
||||||
|
|
||||||
|
This trait is not unique to Accubid,[^1]
|
||||||
|
what is unique (and uniquely frustrating)
|
||||||
|
is how little the workflow would change if it was.
|
||||||
|
|
||||||
|
[^1]: Programs like this are called CRUD (Create Read Update Delete) apps.
|
||||||
|
|
||||||
|
If you were to replace the Takeoff tab with a command prompt,
|
||||||
|
this is what it would look like to take off (2) receptacles:
|
||||||
|
|
||||||
|
```sql
|
||||||
|
INSERT INTO Takeoff (drawing,area,phase,system,bid_item,labor_factor,assembly,length,count)
|
||||||
|
VALUES ('E1.01','Level 01','BOH','Electrical','Building','Standard','DUPLEX REC',0,2);
|
||||||
|
```
|
||||||
|
|
||||||
|
Given the option, I'd already pick the console;
|
||||||
|
but I'm aware I'm an outlier.
|
||||||
|
Consider though, that ...
|
||||||
|
Not to mention that such a schema would allow mouse-less takeoff,
|
||||||
|
a considerable boon for [[ergonomics]].
|
||||||
|
|
||||||
|
***
|
||||||
|
|
||||||
|
I get strange looks when I suggest that construction estimating could be fun.
|
||||||
|
Truly I believe it _would_ be fun,
|
||||||
|
except for the total absence of [skeuomorphism](https://en.wikipedia.org/wiki/Skeuomorph),
|
||||||
|
interfaces designed to resemble their physical counterparts.
|
||||||
|
|
||||||
|
> ![[level-selector.jpg|400]]
|
||||||
|
> Mock-up of a level selection interface,
|
||||||
|
> perhaps for quickly creating typicals.
|
||||||
|
|
||||||
|
%%
|
||||||
|
|
||||||
|
```
|
||||||
|
| Roof |
|
||||||
|
| Level 15 |
|
||||||
|
⭍ Levels 04-14 ⭍
|
||||||
|
| Level 03 |
|
||||||
|
| Level 02 |
|
||||||
|
___| Level 01 |___
|
||||||
|
| Level G1 |
|
||||||
|
```
|
||||||
|
|
||||||
|
%%
|
||||||
Reference in New Issue
Block a user